眾幻之門 The gate of phantoms.

國立清華大學
National Tsing Hua University,NTHU

捷運劍南路站區 Jiannan Road Station
時間 Time |10/5 06:00 PM - 10/6 06:00 AM
地點 Location |美麗華百樂園周邊/Miramar Entertainment Park Surrounding Area
Google Map

節目介紹

深夜裡,當雙眼被黑色所蒙蔽,我們才意識到大腦成為被禁錮的俘虜;然而若一切的表象,終將黯淡失色,無意義可尋。我們該如何一窺事物的全貌?唯有洗淨「知覺」的門,方才有機會從虛幻的世界中,重新探尋事物的本質,萬物便能以無限的原貌展現於眼前。

「無名天地之始,有名萬物之母。…此兩者同出而異名,同謂之玄,玄之又玄,眾妙之門。」

此語出自老子的《道經》。由於眾幻之門是由創作者們的AR作品匯集而成,故將句中的「妙」用「幻」做代替,用以表示相對於現實,AR雖猶如夢幻泡影,卻能引領人們由有觀踏入無形。同時,以此作品為媒介,使用者將推開感知的大門,體驗藏於門後躍然眼前的森羅萬象。

Program Info

We only realize in the depths of night, when our two eyes are confounded by darkness, that our minds are incarcerated prisoners. Yet, if everything as they seem ultimately fades, with no meaning to be found, how are we able to view things as they are, holistically? Only by purging the gates of our senses can we navigate the illusory world and regain our grasp on the search for the nature of things. All things are able to be seen in their infinite original state.

The nameless is the origin of heaven and earth; the named is the mother of the myriad things…. These two have the same origin, but they differ in name; both are called Mystery. One Mystery plus another Mystery, is the source of all wonders.

These words are from Laozi’s Tao Te Ching. As the source of all wonders is formed by the collection of the creaters’ AR works, the word “miao” or wonders is replaced by the word “huan” or illusory, to distinguish it from reality. While AR is like a dream or an illusion, it leads people to enter the shapeless from the shapely state of being. Users can use this work as a medium and push open their gates of the senses, and experience the myriad of illusions that leap out behind those gates.

藝術家介紹

白欣穎 《好黏。太多了》

現就讀於清華大學藝術學院學士班。興趣是睡覺。喜歡單純且美麗的事物,不喜歡麻煩的事物。夢想是成為一個快樂的人。

黏液,象徵的是一種心靈狀態或是社會現象。
人類的情緒及思想常常因各種複雜的理由填充。
想透過這件作品用具象的方式呈現人們思想被填充的過程。
從一開始微小的產生進而蔓延展開並且逐漸累積至整個場域,
就像是人類的心情時常被特定情緒逐漸被佔有一般。

何宜庭《佔領:美麗華》

畢業於清大生命科學系,目前就讀於跨院碩藝術與創新科技組。
早期的創作以插畫與平面設計為主,最近開始接觸混合藝術,創作題材轉而朝向生物藝術與設計發展。

《佔領:美麗華》是關於我們所處的環境與人際之間的千絲萬縷。本作品透過在採集地展示採集而來的菌來放大「現狀」的瞬間。
只要適合生長,微生物佔領著我們所能觸及的各個角落。它們以所處環境中的養分為食,也因此反映著人們的生活方式。人與人之間的互動與時空交織,形塑了所謂的現狀,如同環境中的菌相,是許多人事物影響下的結果。
當我們到訪美麗華,佔領同時也被它的一部分佔領。

孫佳興《凝視》

相關連結|https://pse.is/KBXE7

1987年出生于中国吉林,目前就读台湾国立清华大学科技艺术专业。创作涉及视觉,装置,媒体,科技艺术。 2011年毕业于广州美术学院,2013年开始创作“皮的研究”系列,试图用一种东方生命哲学的观点,转化成当代语境,对人类本质的“无意义”状态的思考。

《凝視》是一個使用AR科技在手機上觀看的藝術作品,它被設定在臺北市Wego飯店的樓下,當你在手機中試圖觀看對面的大樓裏發生的事情時,你會發現,每一個窗裏都有一個眼睛在向外觀看,同時也在注視著你。這些眼睛象徵著社會對我們的“規訓”,在這個觀看與被觀看同時發生的過程中,我們可以試著從中探討自我與世界的關係,人與都市的關係。

張詠瑄《破壞城市的貓》

2018年畢業於國立清華大學動力機械工程學系,目前就讀於前述之研究所。希望可以去發掘工程領域中更多人性與美的部分,期盼運用理性的方法,來表述對社會的關懷,並在工程、藝術、及科技之間找到一個平衡點作為容身之處。

作品裡的三個面向,包含了對於劍南路站周遭的三種想像:大直地理位置及歷史的連結,商場的蓬勃發展造就了來訪此地的人的樣貌,以及電影帶給觀眾的娛樂或衝擊。

盛宜楠 & 李恩鋅《深海恐懼-文湖線劍南路站》

相關連結|https://is.gd/6El206

畢業於魁北克大學多媒體專業,現就讀於國立清華大學跨院國際碩士創新科技組,研究方向主要爲3D游戲與動畫製作。

建立劍南站三號出口主建築模型,將其置於海底環境中,場景整個氛圍是灰濛濛的深藍色,車站建築上長滿藻類,被巨大的珊瑚礁包圍,如同一座海底的巨大石碑。代替真實月臺周邊各種物件的,是各類虛擬海底動植物(如路燈狀的魚,眼睛會發光像燈泡;月臺側面長條走廊實際是大魚的骸骨骨架;小樹是水草;外形酷似人類的巨大珊瑚礁;建築物上的細小光點是會發光的浮游生物etc.),使虛擬場景外形上與真實環境一致,營造一種熟悉的錯覺,另外還有名為鯤的虛構生物在上方遊動,它的巨大黑影不時出現在畫面中。從而創造出一個完整的處於海底的文湖線劍南路站(即BR15)3號出口的3D虛擬世界。當各種虛擬動植物開始遊動,畫面熟悉感消失,變得違和且不真實。

陳芷羚《中毒》

就讀國立清華大學藝術學士班。

逼近,擴散,淪陷,中毒。

現實,人們逃避著。
此作品揭開人們所處的社會,在不知不覺中,淪陷於科技、暴力、性慾的世界。

中毒。

陳雁蓉 & 蘇粲淵《城市建置中》

來自國立臺北藝術大學新媒體藝術學系碩士班,個人創作分別以影像及動力裝置等形式呈現。近期開始嘗試以影像擾動既有空間,進行各種微觀的小實驗。

把時空回朔到全面開發中的狀態,從數位的介面檢視高速發展的城市切片,藉由AR(Augmented Reality)讓使用者可以透過行動裝置觀看與探索這座不斷擴增的城市,在虛擬與現實之間的空隙重新定義大直。

使用者可以手持行動裝置觀看並直接穿過鷹架,步入另一個施工現場,被熟悉的鷹架及帆布包覆起來,在有限的視角慢慢的移動身體及探索,感受大直發展的進程以及反思一座城市在快速變動中所形塑的樣貌是否符合我們對於未來的想像。

黃浩旻 & 吳柏瑤《免費伴遊》

目前就讀於清華大學藝術與創新科技碩士, 喜愛動手創作,平時為興趣使然的自造者。

出門在外靠朋友,難道沒有適合的同伴就是阻止你出遊的藉口嗎?超越現實的界線去結交新朋友吧!在看似虛擬的AR世界裡,有位願意陪伴你的新同伴,想去哪就取哪,逛遍夜晚裡的城市、美景和盛宴,其實當時所留下的一絲歡笑就是現實!

楊子逸/侯君儀/陳昱碩/余曉沁/何捷睿/侯霽庭《木各 市》

相關連結|https://pse.is/KQ83F

目前就讀於國立清華大學藝術學院學士班二年級。

在體驗者的裝置裡,原先呈現的是正常、真實的台北夜景,漸漸地,螢幕中的大樓、景色都開始變成一格格的色彩,現實與虛擬交疊相溶,現實景象逐漸被吞噬,真假幻滅間,整個城市最終變成 8 bit 的樣貌。
期間,體驗者可以自由移動、旋轉手機位置,觀賞不同角度的景色變化。

鄧心瑀《夢》

目前就讀清華大學藝術學院學士班。
熱愛媒體藝術擁有的無限想像,將情感與觀點藉由不同媒材與方法天馬行空的作成屬於自己的獨一世界。

夢,虛實交錯,像騰空而飛的氣泡,美而燦爛,卻脆弱無法觸碰。夢,若碎為泡沫,將一無是處;而若身處泡泡堆積之中,這將是一種喜,或是憂? 是被夢想承載而喜悅,抑或被理想束縛而苦不堪言?
這是屬於你的夢。

劉怡萱/徐立菡/林品嫺《限時現實》

一塊19歲的頹肉

總是一再塗抹
追求失真
重複描繪
意義這兩字

於是我們po文打卡

Artist Info

Bai Sin-Ying《Too Much》

Majoring in technology and art. Like simple and beautiful things rather than complex.Dream to become a person full of happiness.

Slime symbolizes a spiritual state or a social phenomenon. The human emotion and human thought often fill up because of complicated reasons of every kind. The work takes a physical approach to show the filling-up of human thought at work. At first, something small is created, then spreads out and gradually accumulates to the entire space. It is like the human feeling, often occupied by specific types of emotions.

Ho Mandy《Occupation: Miramar》

I earned my bachelor’s degree in Life Science from NTHU, and I am currently studying in the MS program of art and emerging technology. Most of my creations are illustrations and graphic designs. After getting to know more in hybrid arts, I focus mainly on bio art and bio inspired design instead.

“Occupy: Miramar” is about the millions of connections between us and our environment. This work collects local microbes to showcase the momentary form of the present. Once microbes enter a favorable environment, it could occupy each and every corner that we can touch. They feed on the nutrition that the environment provides, which reflects the human being’s way of life. The interaction and overlapping of space and time between people created the present as we know it, just like the microbiota in our environment.

When we visit the Miramar, we occupy; we are also occupied by a part of it.

Chang Yung-Hsuan《Dating, movie scene, Typhoon》

YUNG-HSUAN CHANG, currently studying for a master's degree of Power Mechanical Engineering in National Tsing Hua University. Attempt to discover more humanity and beauty in engineering. Expect that applying rational methods to express social concern. And find a place of belonging between engineering, art, and technology.

The three dimensions encompassed in the artwork are three imaginations toward the surroundings of Jiannan Road Station. The geographical position and historical connections of Dazhi, the vibrant commercial activities that brought visitors here, and the entertainment and impact that movies bring to views.

Sun Jia-xing《Stare》

Link|https://pse.is/KBXE7

Sun Jiaxing, born in Jilin, China, in 1987. Currently studying in National Tsing Hua University, majors in Art and Emerging Technology. Sun’s art creation includes vision, installation, media and technology art. Sun graduated from Guangzhou Academy of Fine Art in 2011. In 2013, Sun Jiaxing started to create the series of “The Study of Skin”. Sun’s art is a combination of Eastern philosophy of life and contemporary society, and it reflects his thoughts on the “meaninglessness” in human life.

Sheng Yi-nan,Li En-Xin《Thalassophobia-BR15》

Link|https://is.gd/6El206

I got my bachelor degree in multimedia from l’Université du Québec en Abitibi-Témiscamingue (Québec, Canada). I am now a MS student of International Intercollegiate MS Program – Art and Emerging Technology, at National Tsing Hua University. My research focuses on 3D game development and 3D animation making.

Chen Jr-Ling《Poison》

Major in technology and art in national Tsing Hua university.

Looming, disseminating, fallen, intoxicated.

There is Reality, and people avoid it.This work pries open the society in which people are unconsciously falling to the world oftechnology, violence, and sexual desire.

Intoxicated.

Chen Yan-Rong, Su Tsan-Yuan《UNDER CONSTRUCTION》

We are both studying an MA in New Media Art at TNUA. Su’s artworks include video and kinetic installations, and Chen has contributed in the field of video art. We are trying to disturb the realistic world with virtual images by undertaking artistic experiments.

Restore time and space to full developing state, using the digital interface to observe urban slices in rapid development. The work uses AR (Augmented Reality) to let users see and explore the ever-expanding city through digital devices, and redefine Dazhi between the crevice of virtuality and reality.

The user can use the handheld device to observe and penetrate the scaffolding, step into a construction site, and become embraced by the familiar scaffolding and canvas. The user would slowly move the body and explore in a limited perspective, and feel how Dazhi developed, and reflect on whether the fast-paced change of a city fulfills our expectations toward the future.

Notice to visitors: dear users, we are about to penetrate the canvas and scaffolding. Please hold your devices tightly. There will be no contact. Please feel at ease to explore.

Huang Hao-Min,Wu Po-Yap《Free Companion》

Currently studying at Art and Emerging Technology, NTHU. Have a passion for creating, and being Maker as a hobby.

When you’re out and about, you depend on friends. However, is it an excuse for you to stay in if no friend will hang out with you? Cross the boundary of reality and meet new friends! In this seemingly virtual AR world, there is a new companion who would be with you, anywhere you please. You can enjoy the nightlife of the city, get the best views and food. The smile you leave behind is what reality is!

Yang Tzu-Yi,Hou Jenny,Chen Eric,Yu Hsiao-Chinu,Ho Chieh-Jui,Hou Chi-Ting《PIXEL CITY》

Link|https://pse.is/KQ83F

National Tsing Hua University
Interdisciplinary Program of Technology and Art.

The experiencer would see in the installation an ordinary, real Taipei night scene. Gradually, the highrises and scenery in the screen become gridded colors, fusing reality with virtuality. The real becomes engulfed. As the boundary between the real and the unreal breaks down, the entire city becomes an 8-bit image. In the process, the experiencer can move around freely, turning the smartphone and observe the change of scenery from different perspectives.

Deng Sin-Yu《Dream》

Currently studying Technology and Art inTsinghua University.
I love the infinite imagination of media art, and make my own emotions and opinions into unique world through different media and methods.

Dream is a blend of the real and the unreal. It is a floating and fleeting bubble so fragile that cannot be touched. If a dream shatters into foam, it becomes nothing. If you are buried in foam, is that a blessing, or something ominous? Are you happy because you are borne by dreams, or are you miserable, drowning in hopes?

This is your dream.

Liu Yi-Hsuan,Lihan,Lin Pin-Hsien《Stories in Life》

A 19y/o IG addict

We erase and efface, striving to decouple the real. We sketch, repeatedly, the word “meaning.”

Therefore we post and geotag.

正在上演 Next On